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MUSICDOC.LOG
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1994-06-21
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This is emTeX (tex386), Version 3.1415 [3c-beta11] (preloaded format=dm-nfss2 94.5.18) 21 JUN 1994 15:55
**&dm-nfss2 musicdoc
(musicdoc.tex
LaTeX Version 2.09 <25 March 1992> with NFSS2
\tmp@dimen=\dimen104
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\z@iii=\dimen106
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\z@v=\dimen108
(c:/emtex/texinput/report.sty
Standard Document Style `report' <14 Jan 92>.
(c:/emtex/texinput/rep11.sty
NFSS Note: External font `cmex10' loaded for size <10.95> on input line 42.
NFSS Note: External font `cmex10' loaded for size <8> on input line 42.
NFSS Note: External font `cmex10' loaded for size <6> on input line 42.
)
\descriptionmargin=\dimen109
\c@part=\count84
\c@chapter=\count85
\c@section=\count86
\c@subsection=\count87
\c@subsubsection=\count88
\c@paragraph=\count89
\c@subparagraph=\count90
\c@figure=\count91
\c@table=\count92
(c:/emtex/texinput/titlepag.sty
Document Style Option `titlepage' -- Released 16 June 1991.
)) (c:/emtex/texinput/multicol.sty
Style option: `multicol' v1.4m <92/09/04> (FMi)
English documentation <92/09/04> (FMi)
\mult@box=\box25
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\multicolsep=\skip41
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\partial@page=\box26
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) (musictex.sty (musicpre.tex) (musicnft.tex Version 5.04 -- April 17th, 1994
\selbrace=\count109
)
(musictex.tex Version 5.04 -- June 21st, 1994) (musicvbm.tex
\s@lopenum=\count170
\the@pitch=\count171
\b@eamlength=\dimen223
) (musicpos.tex
\largevaugment=\dimen224
\largehaugment=\dimen225
))
(musictrp.sty (musictrp.tex)) (musicper.sty (musicper.tex
Version 5.03 -- March 31st, 1994)) (a4report.sty)
\@indexfile=\write3
Writing index file musicdoc.idx
(musicdoc.aux)
NFSS Note: Check substitution defaults for OT1/cmr/m/n on input line 109.
NFSS Note: ... okay on input line 109.
NFSS Note: Check substitution defaults for OML/cmm/m/it on input line 109.
NFSS Note: ... okay on input line 109.
NFSS Note: Check substitution defaults for OMS/cmsy/m/n on input line 109.
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NFSS Note: ... okay on input line 109.
NFSS Note: Check substitution defaults for T1/cmr/m/n on input line 109.
NFSS Note: Try loading font information for T1+cmr on input line 109.
(c:/emtex/texinput/t1cmr.fd
Fontdef file produced from: `cmrfonts.fdd' v2.0e <93/08/03> (FMi and RmS)
)
NFSS Note: ... okay on input line 109.
NFSS Note: External font `cmex10' loaded for size <17.28> on input line 118.
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NFSS Note: External font `cmex10' loaded for size <7> on input line 118.
[0
] [0
] (musicdoc.toc [1
] [2]
NFSS Note: Try loading font information for OT1+cmtt on input line 92.
(c:/emtex/texinput/ot1cmtt.fd
Fontdef file produced from: `cmrfonts.fdd' v2.0e <93/09/14> (FMi and RmS)
)
NFSS Note: External font `cmex10' loaded for size <5> on input line 95.
)
\tf@toc=\write4
[3]
Chapter 1.
[4
] bar 1 [5] bar 1 [6] bar 1 bar 2 [7]
Underfull \hbox (badness 1924) in paragraph at lines 416--422
\OT1/cmr/m/n/10.95 which sets two flats on each staff, or sep-a-rately for each
in-stru-ment. Thus, the
\hbox(7.60416+2.12917)x452.96788, glue set 2.68182
.\OT1/cmr/m/n/10.95 w
.\OT1/cmr/m/n/10.95 h
.\OT1/cmr/m/n/10.95 i
.\OT1/cmr/m/n/10.95 c
.\kern-0.30418
.etc.
[8] [9]
NFSS Note: External font `cmex10' loaded for size <9> on input line 567.
[10]
Chapter 2.
[11
] [12] [13] [14] bar 1 bar 2 bar 3 bar 4 [15] [16] [17] bar 1 bar 1 bar 1
[18] bar 1 bar 1 bar 1 bar 1 [19] bar 1 bar 2 [20]
Underfull \hbox (badness 2334) in paragraph at lines 1338--1345
\OT1/cmr/m/n/10.95 As seen in the \OT1/cmr/m/sc/10.95 Mozart \OT1/cmr/m/n/10.95
ex-am-ple, it is not nec-es-sary to write a macro se-quence
\hbox(7.60416+2.12917)x452.96788, glue set 2.85977
.\OT1/cmr/m/n/10.95 A
.\OT1/cmr/m/n/10.95 s
.\glue 3.65 plus 1.825 minus 1.21666
.\OT1/cmr/m/n/10.95 s
.\OT1/cmr/m/n/10.95 e
.etc.
[21] bar 1 bar 1 [22] [23] bar 1 [24] [25] bar 1 [26] [27]
Underfull \hbox (badness 1960) in paragraph at lines 1904--1909
\OT1/cmr/m/n/10.95 As seen be-fore, you can change the sig-na-ture of the whole
set of in-stru-ments by
\hbox(7.60416+2.12917)x452.96788, glue set 2.69835
.\OT1/cmr/m/n/10.95 A
.\OT1/cmr/m/n/10.95 s
.\glue 3.65 plus 1.825 minus 1.21666
.\OT1/cmr/m/n/10.95 s
.\OT1/cmr/m/n/10.95 e
.etc.
[28]
Underfull \hbox (badness 10000) in paragraph at lines 1958--1962
[] []\OT1/cmr/m/n/10.95 say []\OT1/cmtt/m/n/10.95 \charnote0{\smallclefdesol} \
OT1/cmr/m/n/10.95 (resp. []\OT1/cmtt/m/n/10.95 \charnote0{\smallclefdefa} \OT1/
cmr/m/n/10.95 or
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.\glue 0.0
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..\glue 0.0
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..\hbox(4.86667+0.0)x21.90005, glue set 21.90005fil
...\glue 0.0 plus 1.0fil minus 1.0fil
...\hbox(4.86667+0.0)x0.0, glue set - 5.475fil []
..\glue 5.475
.\penalty 0
.\OT1/cmr/m/n/10.95 s
.etc.
bar 1 [29] bar 1 [30] bar 1 bar 2 bar 3 bar 4 bar 1 [31] [32] bar 1 [33] bar 1
[34] bar 1 bar 2 bar 3 [35] bar 0 bar 1 bar 2 [36] bar 1 bar 2 [37] [38]
[39] bar 1 bar 2 [40]
Underfull \hbox (badness 3895) in paragraph at lines 2847--2855
[] []\OT1/cmr/m/n/10.95 the ver-ti-cal spac-ing of con-tigu-ous notes of the in
-stru-ment(s) whose
\hbox(8.2125+2.73749)x425.59282, glue set 3.39095
.\hbox(0.0+0.0)x0.0
.\glue 0.0
.\hbox(7.60416+0.91246)x48.8788
..\glue -27.37506
..\glue 0.0
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..\hbox(7.60416+0.91246)x76.25386
...\glue 5.475
...\hbox(7.60416+0.91246)x57.48688 []
...\write3{\indexentry{Internote \&\&\tty \bslash Internote}{\thepage }}
...\glue 4.19746 plus 2.09872 minus 1.39915
...\OT1/cmr/bx/n/10.95 :
...etc.
..\glue 5.475
.\penalty 0
.\OT1/cmr/m/n/10.95 t
.etc.
[41] [42]
Underfull \hbox (badness 1902) in paragraph at lines 2957--2961
[]\OT1/cmr/m/n/10.95 In any-case it is a good idea to look at the pro-ce-dures
[][] and
\hbox(7.60416+2.43333)x452.96788, glue set 2.6701
.\hbox(0.0+0.0)x28.45274
.\OT1/cmr/m/n/10.95 I
.\OT1/cmr/m/n/10.95 n
.\glue 3.65 plus 1.825 minus 1.21666
.\OT1/cmr/m/n/10.95 a
.etc.
[43] [44] bar 1 [45] bar 1 [46]
Overfull \hbox (12.67583pt too wide) in paragraph at lines 3216--3216
[]\OT1/cmtt/m/n/10.95 \notes\hu G|\zh b\hu d&\zshaker 3\diamw {00}&\zcarrg d\ca
rqg g\carrg {hgh}\enotes[]
\hbox(7.60416+2.43333)x452.96788
.\hbox(0.0+0.0)x0.0
.\OT1/cmtt/m/n/10.95 \
.\OT1/cmtt/m/n/10.95 n
.\OT1/cmtt/m/n/10.95 o
.\OT1/cmtt/m/n/10.95 t
.etc.
bar 1 bar 2 bar 3 bar 4 bar 1 bar 2 bar 3 bar 4 [47]
Underfull \hbox (badness 3229) in paragraph at lines 3324--3327
[] []\OT1/cmr/m/n/10.95 either in-clude a spe-cific per-cus-sion file namely \O
T1/cmtt/m/n/10.95 musicper.tex[] \OT1/cmr/m/n/10.95 af-ter the usual
\hbox(7.60416+2.43333)x425.59282, glue set 3.18852
.\hbox(0.0+0.0)x0.0
.\glue 0.0
.\hbox(4.86667+0.0)x0.0
..\glue 0.0
..\glue -21.90005
..\glue -5.475
..\hbox(4.86667+0.0)x21.90005, glue set 21.90005fil
...\glue 0.0 plus 1.0fil minus 1.0fil
...\hbox(4.86667+0.0)x0.0, glue set - 5.475fil []
..\glue 5.475
.\penalty 0
.\OT1/cmr/m/n/10.95 e
.etc.
[48]
NFSS Note: Font shape `OT1/cmtt/bx/n' in size <12> not available.
NFSS Font shape `OT1/cmtt/m/n' tried instead on input line 3397.
[49] [50]
Chapter 3.
Underfull \hbox (badness 1867) in paragraph at lines 3496--3499
\OT1/cmr/m/n/10.95 As seen be-fore, all the files are avail-able at \OT1/cmr/m/
sl/10.95 anony-mous ftp[] \OT1/cmtt/m/n/10.95 rsovax.lps.u-psud.fr
\hbox(7.60416+2.43333)x452.96788, glue set 2.65366
.\OT1/cmr/m/n/10.95 A
.\OT1/cmr/m/n/10.95 s
.\glue 3.65 plus 1.825 minus 1.21666
.\OT1/cmr/m/n/10.95 s
.\OT1/cmr/m/n/10.95 e
.etc.
[51
]
Chapter 4.
(musicdoc.inx [52
] [53] [54] [55] [56] [57]) [58]
Chapter 5.
[59
]
Chapter 6.
bar 1 bar 1 bar 1 bar 1 bar 1 bar 1 bar 1 bar 1 [60
] bar 1 bar 1 bar 1 bar 1
[61] (musicdoc.aux) )
Here is how much of TeX's memory you used:
1994 strings out of 56632
16288 string characters out of 220321
69514 words of memory out of 262143
4159 multiletter control sequences out of 10000
34070 words of font info for 86 fonts, out of 40000 for 254
56 hyphenation exceptions out of 607
22i,11n,19p,266b,437s stack positions out of 300i,100n,60p,5000b,1000s
Output written on musicdoc.dvi (63 pages, 231160 bytes).